757 Roy Harper - Stormcock (1971)

 757 Roy Harper - Stormcock (1971)

Studio Album - Epic Progressive Acoustic



About the Act:

Roy Harper in an English Folk Singer/Songwriter from Manchester. He started his career in 1964 and has released 22 studio albums, 13 live albums and 12 compilation albums. He has been lauded as an influence by artists as diverse a Kate Bush, Led Zeppelin, Johnny Marr and Joanna Newson.

About the Album:

This was Roy's fifth studio album. His label hated it because it lacked radio-friendly songs, so it hardly got any promotion. It is critically regarded to be his best album.

My History with this Album:

None

Review:

Roy Harper seems to be a secret. I had heard his name before, in the title of the Led Zeppelin track "Hats off to Roy Harper", but I did not know what to expect when I started to listen. It surprised and delighted me. In some ways it is quite a simple album, but there is quite a lot to dig into.

There are four long tracks, and the two tracks on each side blend into each other. He likes to take his time. The last track is a multi-part kind of affair which has sudden shifts in style, tempo and mood (Bohemian Rhapsody is the best known song of this kind). At core it is Roy singing and playing an acoustic guitar. Actually most of the time there are two acoustic guitars. This sounds quite simple, but it is not. He obviously is used to doing these songs live with just him and a guitar, but in a studio, multi-layering comes in. The guitar parts are complex, like a cross between chors-strummed rhythm and riff-based playing (not quite tunes, most the sort of thing a bass might play). The riff-based stuff reminded me strongly of Led Zeppelin's acoustic work, and early Queen. I take it Roy inspired them rather than the other way around. There are often complex and shifting rhythms and time signatures. It's varied and strong and really interesting. There are other things as well, quite a bit of studio trickery (It was recorded at Abbey Road) - there times when you get phasing effects, multi-layered vocals, an acoustic guitar solo by Jimmy Page, and the last track has snatches of orchestral string and brass arrangements. All of these things are definitely in supporting roles, and fit really well with the album and the music, such that if you listen casually, at the end your impression would be of complex acoustic folk and you might not remember the orchestra.

The musicality is strong, and sometimes uses the kind of blues harmonic structures that filtered through into Rock (again I'm particularly reminded of Led Zep) and ultimately into heavy metal. Don't get me wrong, this is not heavy metal. Sometimes it reminds me of Bob Dylan in the structures and the way the lines fit together (especially the first song). 

The vocal delivery - again Bob Dylan comes to mind, and other singer-songwriters of the time. His tone of voice reminds me strongly of somebody - but I cannot place it. It's clear and competent and meaningful. The lyrics are generally quite dark and cryptic. I read the wikipedia page so I know what some of the tracks are actually about - I might not have guessed. There is quite a bit of word-play.

It would be easy to pass over this album. I had two aborted attempts at listening while I was doing other things (aborted because I was interrupted, not because I wanted to stop). At that point my impression was of acoustic guitar and singing. My latest listen, I stuck it on headphones as I washed up, and really listened. It rewards really listening, there are layers in there and a lot to dig into.

I really enjoyed it, I definitely want this to get into my normal listening pile. Is it genius? Maybe. It's certainly right up my street.

8.5/10


Spotify: https://open.spotify.com/album/2sEwph7Jl4lG5kHqegjnOO

YouTube: https://www.youtube.com/playlist?list=OLAK5uy_kDlJHYCqCWzN82YCsGJiAF6cd0yfOqmZk

Wikipedia: https://en.wikipedia.org/wiki/Stormcock_(album)



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